Showing posts with label Barcelona. Show all posts
Showing posts with label Barcelona. Show all posts

18 December 2023

Where have I been?


It's been a while, no, it's been years since, I put this blog together, and, as you can tell, it's been years since I last wrote anything.

I've really missed the many hours I spent researching Spanish history and of course writing about it. 

I've decided in 2024 to remove everything I've written on here and then relist it with additional information and edits as well as researching and writing more about Spanish culture, history, architecture and art.

I'm currently building a portfolio on Barcelona but there are so many wonderful parts of history that I'm having trouble narrowing it down as to which one I'd love to research first. 

I'd also like to continue my research about Antoni Gaudi, too.

Here's to bringing my blog back to life this year!

20 May 2016

CASA VICENS, BARCELONA, ANTONI GAUDI

PLEASE FEEL FREE TO INTERACT BY ASKING QUESTIONS, IF YOU HAVE A STORY/EXPERIENCE/HOLIDAY(S) ABOUT THE ARTICLE(S) PUBLISHED, OR EVEN JUST TO LEAVE FEEDBACK; APPRECIATION GOES A LONG WAY FOR ME!
MANY THANKS!

CASA VICENS

The initial blueprints, which provided the roots to Casa Vicens, was to provide a private home and garden. The private land was inherited to Senor Manuel Vicens from his mother at the end of August 1877. Senor M. Vicens nominated Antoni Gaudi to address renovations and extensions to the facades and floors. Gaudi sculptured various cultural representations such as, Hispanic, Arabic, Oriental, and Indian themes which ultimately made each room independent. This unique, exotic, and newly renovated home was greeted with an enthusiastic appeal to its residents of Barcelona.  

Antoni Gaudi is one of a kind! It doesn't matter how many times I look at his projects I always find something new-much like a Salvador Painting!


Just consider the time difference between then and now. Today we have computerised blueprints, newer and reliable equipment, a fresher eye to nature. In that era everything was man-made-to the last inch of detail. It is another reason why antiques sell for a scroll of notes. Here are some of the finer touches that Gaudi brought to this beautiful Casa.






17 June 2014

Catalonia: The turn of the events (section 1 )

Cataluña: El giro de los acontecimientos.    
Catalunya: El gir dels esdeveniments




“Barcelona; the popularised, cultural Capital City of Catalonia, is now documented as a Global City due to its internal importance in Finance, Media, Entertainment, Arts, Education, Tourism and, for accommodating famous events; such as the Olympics of 1992”

CONTENTS:



Section 1:

  • Phoenicians
  • Roman Empire
  • Visigoths
  • The Events between Visigoths and the Independence of Catalan
Section 2:

  • Ildefons Cerda and the 1888 World Fair Trade onwards
  • Arc de Tricmf
  • Catalan Modernisme
Section 3:

  • The Lead up to Guell Parc
  • Location of Parc Guell
  • The Square (Parc Guell)
  • The Hipostila Hall (Parc Guell
  • The Infamous Stairwell (Parc Guell)
  • The Infamous Pavilions (Parc Guell)
  • The Austria Gardens (Parc Guell)
  • How did Guell’s vision of a Residential Estate,
  • for the wealthy end up as Parc Guell?
  • Parc Guell’s Fees
  • Overall

PHOENICIANS:

The most notorious dates in the History of Catalonia, which stem way before C.300BC, are coordinated into a purpose-filled Timeline. A Timeline is an accessible document that allows us to pinpoint certain events that have happened in the past, presenting us with more knowledge of that era. A Timeline does not consist of separation between the Good and Bad times of society events, it allocates memorable interventions-an interruption to normality or, at least, disrupting a world that has being shaped by our own independence. Catalonia’s History is quite…extensive? Throughout my (ongoing) research on Catalonia, I noticed in between specific dates there wasn’t a time when things were just…stable? There was always something happening, igniting further destruction through Emperors, War, Diseases, Independence and Loss of Independence and so forth. My Historical excursion begins in the Phoenicians era and ends mid 20th century.

Based on many Historians and visual evidence-such as the archaeological remains, it is believed the Phoenicians-originating from Southern Lebanon, and whom founded the city of Gadir-now known to be Cadiz-were amongst many tribes who took advantage of their protective neighbours, the Assyrians (between 1,500-600 B.C.), to pursue an expanded excursion throughout the Mediterranean and beyond, to extract organic materials, aswell as metal, to trade with the Middle East Market. Their collective destinations were never too far out for them to postpone, even voyaging their way to Cornwall (Southern England). Their most rewarding location was in Southern Spain, after coming across a sufficient supply of Gold, Silver, and Copper and Iron-through the intentional pursuit of Tin. In the conditions, supplied by the Assyrians, Phoenicians were expected to provide Silver, and lots of it. (Silver was particularly important to the Assyrians, given the fact it was towards their currency.) Phoenicians became aware of large deposits of Silver held in the inner core of Rio Tinto; a well-known mining area; north of Huelva. Excavations have allowed archaeologists to analyse the relics and make a definitive evaluation resulting the following information as regards to dates and era. Excavations not only proved the mining in north of Huelva goes back to the early Bronze Age, but also possess enough evidence that on the remains of the Phoenicians settlements, there was a lack of possible weapons; suggesting a peaceful co-existence between themselves and the native tribes.

Phoenicians, using their liable intelligence, introduced Iron to those in the central area; resulting in a valuable commodity for not only sword making, but for agricultural tools, implying substantial help to manual hands. Not only were they manually keen in Iron and fine Metals, they are also responsible for generating Ceramic Art, eventually resulting in the first Potter Wheel-around 700BC.
Due to their extensive work and trade amongst many areas the Phoenicians discovered large consumptions of: Tuna, Mackerel and Sturgeon, which were greeted with eagerly anticipating hands, belonging to the Market Trade(s) of the Eastern Mediterranean.

During their fishing days the Phoenicians came across purple dye that had being subjected from Molluscs-possibly in the moment of attack.
Due to current biological analyses it is now known Molluscs/Snails, in the Eastern Mediterranean, use their secretion for predatory purposes. When the snail comes in to contact with a predator or physically held-antagonised by humans, for example: prodding, then the snail’s instinct is to release the purple dye. It wasn’t long before the idea of “milking” the snails came about, but then it was time consuming, without much result. So, the idea of collecting a large amount of the snails and crushing them completely was a messy combination with the purple dye and the shattered pieces of the snail, however it was more appropriate than milking. Measurements provided evidence in evaluating how much of the dye could be collected, the results were poor. It is said, “Twelve thousand snails of Murex Brandaris yield no more than 1.4g of pure dye, enough to colour only the trim of a single garment.”


So, in overall of their existence the Phoenicians were trading to markets: Purple Dye, Tuna, Mackerel, Sturgeon, Iron, Copper, Silver and, on the basis of finding traces of Phoenician Amphorae, it is a given clue to them also supplying Olive Oil and Wine.
Communications between the Phoenicians and the Assyrians was interrupted when Assyrians lost authority to the Babylonians in 612 BC. However, their influence remained on the grounds of the Carthaginians-whose Capital City-Carthage, had being founded as a Phoenician trading posts from around 800 BC. Once the Phoenicia era became extinct, the Carthaginian Tribe developed their name in the trading presence of the Mediterranean.

A Phoenician Sarcophagus, believed to be found in Cadiz Spain; now in Archaeological museum of Cadiz. The Sarcophagus is thought to have being designed and paid for by a Phoenician merchant, and made in Greece influenced by Egyptians.

ROMAN EMPIRE:


When the Romans settled in Empurias (REF 1)…in the province of Girona, on Catalonia’s soil, (From 281 BC) their main purpose was to prepare for the expansionist threat of their great rivals-the Carthaginians. It did not take them long before they took over Emporium after their victory against the Carthaginians Tribe. The Roman Empire introduced Latin to the region. However, it is within the Catalans rights to reserve their ownership of first-spoken-language within and around the area of Catalonia. Rome transformed the society, encouraging patronage and slavery; this wasn’t as straightforward as it seems, resulting in restricted boundaries. Religion and Culture penetrated and adopted the same religious calendar, and the same temple, praising the same deities, leading to their lost distinct characteristics, including their own language. They (the Romans) succeeded in dividing the territory in to two parts, Modern Cataluña-located in Hispania Citerior, running down the East Coast and, inland the other being called Hispania Ulterior-which is roughly where modern Andalusia is today. The Romans success is noted, in the help of expanding City Barcino-Barcelona and Tarraco-now Tarragona, aswell as setting camp for Veterans, whom found solace from the Austurian Wars. During their reign, they had the capabilities and the intelligence to work effectively together, resulting in the institutional structure of roads, connecting City to Cities. Through their hard graft in farming, they adopted popularity, a great agriculture trade, and people from around the Mediterranean Sea began placing orders, such as Cereals, Grapes and Olives. The Romans had brought the City, not only Roads, Farming, and adoption of a New Language, but some form of independency, and a new strategy, gaining an increase of population to the City. The Romans were under the supremacy of Caesar Augustus, he often came to monitor the region, eventually changing what was Barcelona’s official name-Colonia Julia Augusta Faventia Paterna Barcino to a much shorter version; Barcino. Caesar didn’t want, or, couldn’t see any further potential in the surroundings. Nevertheless, he continued ensuring the security of trade to and from the more, prosperous and welcoming City of Tarragona. The city needed a wall that defined the precinct, and a need for running water; that served the homes, fountains and any public thermal bath(s). The Romans, due to their creative manual hands, gave rise to constructions, which was much appreciated from other citizens, this included: Aqueducts and beautiful reservoirs that guaranteed the gathering and storing of water. They had lead pipes and Bronze valves and pressure deposits, which guaranteed the distribution of the water to Fountains, Homes and, Public Thermal Baths-where the Citizens gathered, usually at the end of festivities. The Romans also opened paved streets, monumental forensics squares: Curia, Juridical Basilicas and grand temples. At the convenient time, when engineering was done on important areas, they built amusement buildings, such as Theatres, Amphitheatres, and Circus Buildings for entertainment. By the end of the 5thCentury, the Romans leadership had come to an end and the territory that, for a long time belonged to them, became abandoned in the 3rd Century and eventually disappeared beneath the dunes. (REF2)


The Romans, due to their agriculture prosperity, never declined their own produce, and eating in wealth, Oysters in particularly-appeared on the Roman menu, frequently. Wine, Olive Oil and, Garum-a sort of fish paste, were all produced and consumed in abundance. 

*Reference 1* “Empurias dates back to the early Iron Age, it was first founded in the 6th Century by Ancient Greek traders from Phocaea-Emporion, as it was originally known, who utilised the advantageous location of a valuable natural harbour. Emporion is a practical name, given its commercial purpose; Emporion means Market in Ancient Greek.”
*Reference 2* By the end of the 5th Century, the Romans leadership had come to an end and the territory that, for a long time belonged to them, became abandoned in the 3rd Century and eventually disappeared beneath the dunes. The archaeological site, buried for centuries-until 1908, when excavations were granted, still to this day they are discovering new information. Tourists can admire part of the legacy that is left behind on the Iberian Peninsula by the civilisation of the Greeks and Romans.
During the Phoenicians, Greeks and the Roman Empire; many forms of Art including; sculptures, ceramics, paintings, pottery, constructions and architecture came about. The most outstanding sculptures are:


Lady of Elche: 


The origin of this sculpture was discovered by chance in 1897 at L’ Alcudia, an archaeological site on a private estate about two kilometres south of Valencia, Spain. The bust is believed to be a piece of Iberian sculpture from the 4th century BC. There are no similar sculptures from that time period that even come close to the high degree of execution which leaves the debate open that the work comes from a much earlier period. There are many replicas of the Lady of Elche. To think of the possible year this was sculptured you have to feel amazed at the talented hands, and the dedication of time and effort, although it is not to everyone’s taste


Goddess of Baza:


The Goddess of Baza is a Phoenician Sculpture, she can be seen sat on a winged throne, and rumoured to have lion-footed legs. She was sculptured to have a blue-painted dove in her left hand. Openings at one side of her throne suggest it was used to deposit cremation ashes.

VISIGOTHS


Due to the sudden incursion of another burst of Germanic Tribes-the Visigoths and Franks, the Roman power was rapidly dispersing. The Franks took control of the Northern Part of Europe-modern day France. The Visigoths controlled the Southern
borders and once their confidence increased in their ability to extract people from ownership of land, aswell as establishing their own Kingdom with its Capital at Toulouse; France, they slowly extended their authority into Hispania, removing the Vandals and Alan Tribes. They also took over the Suevi Kingdom and its Capital City Bracara (modern day Braga) between 584-585 A.D. the province of the Byzantine Empire, South of the Peninsula and the Balearic Islands.

Germanic, or more commonly known as Gothic Tribes, has picked up many enemies and disapprovals of the Gothic presence, Gothic Cathedrals were scorned during the renaissance because they never could compare well with the classical elegance. When a Writer announces a Gothic genre, images of decay and decadence appear in the mind; even in the Oxford and Webber Dictionaries they announce the meaning as barbarous, uncouth and rude. Which, given the fact the Visigoths are deemed as barbarous by the Romans and Greeks, it is easier to understand why. Nevertheless, this did not prevent the Romans from making pacts with them or incorporating them in their imperial armies.

Over time the Visigoths Kingdom collapsed in 711 when the Moors (North African Muslims) invaded Morocco. Within just a few years the Moors gained more people and conquered nearly all of the Peninsula and Southern France. Many Spaniards afraid of the new empire took refuge in the northern mountains and from there; they held bitter resistance against the Muslim Domination. The Moors controlled the Southern two-thirds of Spain for two centuries. Another Muslim Domination took over the Western Side.

The events between Visigoths and the Independence of Catalonia:


If we skip to The Battle of Tours 732 A.D. (Most commonly known by the Battle of Poitiers) which began 10th October 732 A.D between the Frankish leader; Charles Martel and a massive invading Islamic army led by Emir Abdul Rahman Al Ghafiqi Abd er Raham near the city of Tours, France. During this heated battle the Franks defeated the Islamic Army, resulting in the death of Emir Rahman. Many praise Martel, with the lingering question; had he not won the battle, would the Islamist eventually over ruled, the strong faith in Christianity. The battle is considered by most historians to be of Macro-Historical importance, due to the enormous possibilities of “What ifs?” After the death of Emir, his remaining troops departed and local Visigoths regained independency, although they voluntarily made themselves tributary to the emerging Frankish Kingdom, which resulted in the generic name Marca Hispanic.


The basis of the Catalan Culture is reported to have started in the middle Ages under the domination of the Counts of Barcelona, particularly in Aragon. The Catalans became notorious for maritime power, expanding all the time by trade and conquest. Trade went to Valencia, the Balearic Islands, Sardinia and Sicily.


The main event in 1469, was the marriage of Isabella I of Castile and Ferdinand II of Aragon this united most Christian citizens. In 1492 al-Andalus was finally conquered and the Spanish conquest of the Americans began. Political power and wealth shifted away from the Crown of Aragon towards Castile.


Catalonia retained as much power and law as long as they could however, their power was sieving through their fingers and eventually eroded. Over the next few Centuries, Catalonia was part of many battles, and always on the losing side, as much as they detested and tried to fight back, it was no use. The most significant conflict was the War of the Spanish Succession, which began in the early 18th Century.


Spain became distracted and divided in a succession war between the Habsburgs and the Bourbons, in gaining the respect the Spanish Throne holds. Immediately opposed to the Bourbon’s traditional trend towards strong centralism, Catalans outwardly declared their hatred and became loyal to the Habsburg Pretender; Charles 3rd and signed a treaty with England, that in return, promised them some naval support against Philip V-the leader of the Bourbons. Unlucky for Catalonia, Philip V won the votes and he became the holder of the Spanish Throne. For the next thirteen months, Catalans had a Kamikaze resistance, yet their actions were never taken seriously and, with much regret, Barcelona finally surrendered in 1714. It wasn’t long before Philip V made it quite clear there will be repercussions-penalised for their long, drawn out opposition.


Philip V held a conference with the Flemish Military Prosper Verboom, discussing the size of a citadel that Philip V wanted to be built around the city of Barcelona. (A Citadel is described as a fortress, a wall that encloses, or destroys visual contact with the other side. A Citadel is mostly associated with incorporating a castle. The term, Citadel; a Fort, derives from the Latin Language, meaning “city”.) Confirmation was placed into action, resulting in a pentagonal shaped citadel, built near the harbour to dominate the city (1714). Barcelona was now stripped of their independence and was under strict surveillance. The overwhelming feeling of being smothered, perhaps like that of a straightjacket or a character exploited in the infamous book of: 1984 George Orwell. It was made to intimidate the Catalans against repeating their mid 17th and early 18th century rebellions against the Spanish Central Government. There was no informal enclosures, where mannerism could be private, kept securely upon their own men. Philip V wanted to destroy the chances of civic expansion and industrial developments. The citadel’s structure consisted of a fronted moat, zigzagged from the western face of the south again to the port meeting the sea at the ancient shipyards; this way Barcelona became an enormous fort in which the military installations covered almost as much space as the civilian buildings. Philip V also disarmed the use of the Catalan Language; this went for Literature; Poets, Singers and Artists. The military complex remained a hated symbol of Castilian rule for a long time. Construction was non-negotiable, prohibited in the so-called firing range; a series of overlapping semicircles with a radius-reportedly to have being 1.25km, there centres at different points in the fortifications. This firing range meant it had created a-no-man’s-land outside the wall. There was no room of planning proposals without making simultaneously an implicit political statement. 


Despite all this, Catalans never belittled their own academic rights and continued to carry out a series of social and economical transformations, within the city’s walls, which in return improved agriculture, commerce and manufacturing. The economic growth derived from the modernisation of the crops, due to their more upbeat attention, radiation and extensive acres. The accumulation of benefits obtained from commerce favoured an incipient industrialisation, which was then principally concentrated in the textile segment.


Transformations in Catalonia over time was spreading like wild fire, people from all around the world was over-hearing the achievement of the Catalan’s latest expressions and their form of mutual respect amongst their own men. The dimensions within the grounds of Catalonia, welcomed more population that, in return, continued to expand new initiatives and infrastructures which backed the new economical necessities. One of the most successful representative of the Barcelona’s working field was in-fact “Junta de Comerc de Barcelona (Barcelona commence Board) which was promoted by traders and industrialists in 1758. In the interior districts, wool spinning and weaving, silk and Calico printing was also highly popular, particularly to the women. In the coastal districts, principally the Maresme, Vineyards and the industries which elaborated wine and brandy were implemented. Due to the markets of northern Europe there was high demand for wine and brandy, where the consumption of these liquors was traditionally high. The exportation to the American colonies also progressively increased and Catalonia’s popularity of trade and incoming culture was very much known around the world by now, much to the annoyance of the Spanish economy.

Despite the changes of Spanish Rulers since 1718, all of them were keen to keep the walls upright, until, finally, there were demolished 1854-1856.


Barcelona and parts of Spain experienced more pain as a French Revolutionary Army was launched in Spain’s direction (1793-1795) with limited success. However, as soon as Napoleon turned his attention to the country in 1808 it was another story. Barcelona suffered along with the rest of the Country until the French were eventually expelled in 1814-Barcelona was the last City in the hands of the French, whom finally left in September.


The Catalan Language and Culture, which at one point was facing obliteration, experienced a rebirth-due to the Romantic movement of the 1830’s. It was a happy and most treasured moments of Poets and Writers. They reunited and ushered in the Catalan Renaissance and popularised the Catalan Language. Politicians embraced the new era; the nationalist movement sprang into mutual love for the artistic Renaissance. Adding to the moving forward, Barcelona was the first Railway Line from Barcelona to Mataró (estimated 30 Kilometres northward and completed in 1848). 


Catalonia was getting its taste of freedom back when the Bourbons lost all power in Spain after the Spanish Revolution of 1868. Nationalist Catalan Parties began to grow and became more involved in Catalan institutions, traditions and its culture. Barcelona’s Wine, Cork and Iron Industries developed from the mid 1830’s onwards. As well as increasing trade, steamships were launched off the slipways. Due to the extensive population, in the 19thcentury, Barcelona’s wealthy upper-class people, felt strong and independent financially and strong in a political state. The rest of Spain was spiralling into a mental depression, caused by the loss of colonies; Cuba, Puerto Rico and the Philippines.


It wasn’t always happy in the Barcelona city, between 1834-1874 fatal epidemics broke out, reportedly killing around 3% of the population each time the flu broke out. The average life expectancy was decreasing, rapidly. Men, thought to be around 38 years old amongst the rich communities and 19 years old amongst the poor. Although the increase in population ultimately increased the exports across the sea, accommodations were becoming cramped. The population density was reported to have being around 850 inhabitants per hectare; this was-by record, higher than the population of Spain and in Europe. The average population of Paris, for example, was around 400 inhabitants per hectare, if we were to compare. As well as overcrowding, the city was notorious in its hygiene amongst workers and families who stayed at home. Districts voiced their opinions out in the streets, resulting in predictive riots against the governments. Something HAD to be done.


A French visitor once said, after returning from Barcelona: “The people do not fit into Barcelona.” Common sense screamed for the walls to be demolished, to expand the city. The problem laid in the hands of Madrid’s central government, refusing to apply to their needs. Between 1800 and 1900; just fewer than 418,000 people resided in Barcelona’s walls. The citizens of Barcelona, pissed off with the selfish government, decided to go it alone. The supplied shops were flooded with men, on the lookout for tools such as hammers to help bring down the walls. Mutually grieved for the many years they had to live with the walls over-bearing their everyday life, and the constant surveillance of Philip V’s men, they took their anger out, clashing the walls with all their might. Unfortunately, it was not as simple or easy, in-fact it took almost two years to bring down. Once the walls were demolished, the areas were converted into an urban park; the present-day Parc de la Ciutadella, which hosted the World’s fair in 1888. Another transformation is that of the fields on the outskirts of the city into a modern district, the Exiample. Today it is a city in itself, and a very popular tourist attraction, mostly associated with the infamous architects; Antoni Gaudi, Eusebi Guell, Ildefons Cerda and many more that has turned the city around. It comes across as inspirational, especially to artists alike and those who can appreciate how far Barcelona has come to what it used to be. Many people have walked on the grounds of Catalonia, each wanting their own trade, power, wealth, money, possession. Yet despite all this, Catalonia has done nothing but stand up to oncoming superiors. The citizens of Barcelona have always stood for what or, who they believe in, whether they won or not.


If you continue to analyse the timeline you will come across another notorious event. In the beginning of the 20th century it is fair to say, Barcelona was a hotspot for terrorists, or more commonly known as the French Anarchists, resulting in General strikes from 1901-1902. Another riot that escalated in 1909 went on continuously for a week, leaving behind demolitions of 70 buildings which were burnt by the French Anarchists. Nevertheless, due to reign on Barcelona’s territory, the leader of the anarchists, Francesco Ferrer, was sentenced to death.

19 March 2014

ANTONI GAUDI-HIS LIFE

























  • Alexander Graham Bell
  •  
  • Benjamin Franklin
  •  
  • Michael Faraday
  •  
  • Stephen Hawking
  •  
  • Marie Curie
  •  
  • Charles Darwin
  •  
  • Isaac Newton
  •  
  • Albert Einstein
  •  
  • Antoni Gaudi


The above names are just a few selected independent and permanent constructive geniuses that brought change to the world that included science, medicine and technology. Dedicating their time, announcing new creations of experimented and assessed (for) safety, performance and, effectively to be a responsible cure for illness, electrical equipment and methods of existence; analysing possibilities, reinforcing abilities, initially allowing the world and its use to be continuously functional.

 

Stephen Hawking-English theoretical physicist and cosmologist, presently indicates the continuous expertise of developing theories and scientific narrations, his theory on life?

 

"No-one created the universe and no one directs our fate. There is probably no heaven and no afterlife either. We have this one life to appreciate the grand design of the universe, and for that, I am extremely grateful."
-Stephen Hawking
Hawking; firstly married to Jane-a Christian, had different views on life and religion and sometimes this caused havoc in their relationship. His motivation was feeding on the Penrose-Hawking singularity theorems -a situation where matter is forced to be compressed to a point (a space-like singularity). Before his health deteriorated Hawking was known to be a daredevil, always trying out new experiences without a care in the world. His passion is what has kept him going, reluctant to give up to this day, he remains loyal. It is firm proof that humans who come across a certain taste become stubborn and reject other agendas, instead they delve into resources assembling more technology, more medical cures initiated by new concoctions and in response, people willingly, sacrificing their time. The least we can do is acknowledge, support and admire their dedication to make the world updated and secure. History holds so many names and with every direction we take we will always come across man-made blueprints and structures.
Neuroscience studies have recently confirmed Mathematicians who come in contact with a new equation have the same increased regional brain activity as with someone looking at a beautiful painting or listening to a certain song. This allows me not only to understand the internal desire to carry on a specific interest but the result it offers. I wanted firstly to analyse the compelling connection between Human and pleasure in activity, particularly architects/architecture.
Architecture we know becomes a visual display of individual’s constructive work(s) and imagination(s) that form together using compassion and dedication to the end. And, we look on and admire the extensive work but never fully appreciate the time and its beauty. The sculpture or building has to stand out, to formulate something that overlaps ones emotions and they can do nothing but fall in love. Antoni Gaudi did this before and after his death. Antoni Gaudi AKA The-Architect-of-God is a name honoured by the citizens of Barcelona/Spain but not truly well-known in other countries which is a real shame.
Antoni Gaudi, the infamous Catalan architect, was born June 25th 1852 to Antonia Cornet Bertran and Francesc Gaudi Serra -a coppersmith from Riudoms. There is much controversy as to where Antoni Gaudi was born, with no substantial evidence supporting, people of the Mediterranean and aficionados of Gaudi argue their believe of location, some insisting Reus and others Riudoms, although there is proof he was baptised in Reus on 26th June 1852.



 

Stricken with severe rheumatism that caused great pain walking, Gaudi missed out on a lot of school days and contact with children, which possibly contributed to his reticent and reserved character as a man. His doctor recommended a vegetarian diet and an occasional walk in the evenings. Although he missed out on school he did not give up on studying. On the warmest of days, Antoni, living at the family home in Mas de la Calederera Riudoms, took advantage of the grand acres of land and became immersed with nature. Nature is a common influence to many creative souls. Gaudi, being spiritual, with a great passion for God’s creations analysed the slightest details amongst plants, reptiles and stone. Nature is a gift, functional, spiritual and beautiful, not many people recognise the true beauty of the world but Gaudi did.

 

Gaudi was not the only famous architect of Catalonia; Josep Puig I Cadafalch was also a famous Catalan Modernism architect. Born 17th October 1867 and died 23rd December 1956 he was a disciple of Lluis Domenech i Muntaner -the designer of "Palau de la Musica" and "Casa Fuster"-Woody Allen’s favourite hotel. Emblematic and in the centre of Barcelona this Hotel was built in 1908 commissioned by Mariano Fuster to give to his wife. It is a tremendous-breath-taking-hotel. Josep projected Gothic and Medieval aspects, introducing them in his final work(s).
Analysing the internal parts of a human and the outline of trees, Gaudi realised at a young age, how they mimicked certain structures, providing him with artistic and functional benefits that would eventually, play a huge part in his future. He noticed how columns mirrored trees or human bones, roof structures mirrored leaves, arches mirrored rib cages; this ultimately gave him the inspiration to turn common architecture to a unique display of reptilian and floral designs carved into stone and vaults.
In 1863 Gaudi, aged eleven entered Pious School in Reus. It became apparent how substantially intelligent he was on the grounds of geometry. Although Antoni had great visual accomplishment, his exterior language was noticeable and his grade wasn’t as high as his intentions were. However, after years of studying, his grades increased and so did his interest in learning more. Using his skills as an advantage, Antoni contributed drawings to illustrate the weekly school newsletter front page and designed scenes for the school theatre. He adored school field trips which allowed him more opportunities to observe new landscapes.
In 1868 Gaudi and his youngest brother Francesc moved to Barcelona where studying was more practical.
The rest of Antoni Gaudi’s family moved to Barcelona in 1869.
  
From 1874-1877 Gaudi was brought in for compulsory military service as part of the Spanish Infantry. He was then transferred into the Military Administration Department in December 1876. Due to his ill-health he missed out on a lot of services, giving him more time to study. His poor health also saved him from having to fight in the Third Carlist War, which in total lasted four years; from 1872-1876. Although Gaudi was not faced with combat, he left with the title "Distinguished Veteran" ending the service in 1877. Army records revealed some unusual facts about Gaudi, such as that he was described as a draftsman and that he had to pay 37.25 pesetas for his own uniform. Unfortunately there was no mention on location of birth, making it more difficult for people to have substantial proof and ending the debate once and for all.
  
1876 was a tragic year for Gaudi. His mother aged 57 and his youngest brother Francesc both passed away. Francesc was young, 25 years of age and had just graduated as a physician. Their death caused a severe religious crisis for Gaudi, he felt un-eased, lost and alone. He delved further into his work, keeping his mind occupied; he was now a machine draftsman for the firm of Padros I Borras. He also went on to complete a variety of school projects. To finance his studies Gaudi worked as a draughtsman for various architects and constructors giving him more experience and more people became aware of his capabilities.
  
In 1878 Gaudi set his eyes on attending the Provincial School of Architecture, Barcelona.
Before he was allowed access to the Provincial School of Architecture he had to pass three exams, once completed he had to take a further two other exams in science, to be accepted in the Escuela Tecnica Superior de Arquitectura (English Translation -Upper Technical School of Architecture). Here he had to pass an initial course a preparatory course and four years of study. (To finance his studies Gaudi worked as a draughtsman for various architects and constructors giving him more experience and gaining popularity with many individuals.) His attendance in class was not 100%, he did, however, frequently visit the library. Not only did he study architecture he also studied philosophy, history, economics and aesthetic classes. He highly believed that architecture was not reliant on aesthetic ideas but on social and political atmospheres. Gaudi showed early indications of genius with his constant success which gained him his architect’s diploma in January 1878. When Elies Rogent, director of Barcelona Architecture School, handed him his degree it is reported that she said "We have given this academic title either to a fool or a genius. Time will show." Gaudi, happy and with his ironical sense of humour told his friend the infamous sculptor Llorenc Matamala, "They’re saying I’m an architect now."
After leaving the Provincial School of Architecture Antoni Gaudi, feeling more than confident, set up his own firm. After a few months of small projects, Esteve Comella became aware of Gaudi’s grand organic work and introduced himself. Esteve Comella, the owner of a luxurious glove shop in Barcelona, commissioned Gaudi to produce a glass display
cabinet that would be practical exhibiting his products at a Paris World Fair, inaugurated in May 1878. Gaudi introduced wood, iron and glass into his craft and inserted metal plant forms inside which allowed the gloves a home and onlookers to notice. Once the fair began people were not shy to show their enthusiasm towards the crafted display cabinet, and was awarded a silver medal. Amongst all the admirers was Catalan industrialist Eusebi Guell I Bacigalupi. Guell travelled to Barcelona to be introduced to Gaudi. Gaudi and Guell instantly hit it off resulting in a professional relationship. His first assignment was to make furniture for a chapel for Guell’s father-in-law. Guell, loving the passion clearly shown from Gaudi, encouraged him to craft more, eventually leading up to the famous emblematic modernist architecture Park Guell. He also designed some lesser-known projects such as furniture at Palau Guell. 1878 was a busy but creative and fulfilling time for Gaudi.
Gaudi was then commissioned to work on Palau Guell, Casa Botimes, Casa Calvet, Park Guell, Bellesguard, Casa Batillo, La Pedrera and many other buildings. (After I have written about Antoni Gaudi’s life I will be then going into more detail about each of his designs, which will be added to my blog in sections for you to pick out the ones you are interested in.)
Gaudi at that time in his life took great pride in his appearance, attending concerts and operas that would influence his mind. He also certainly knew how to place himself with important intellectuals at the time. This, being, for his own benefit; in the way he needed good patrons that were capable of comprehending and financing his unique ideas. Gaudi always came across passionately stimulated to his assignments, devoting his full attention.
Gaudi lived in various flats situated in Barcelona with his father and his mentally unstable niece, whom he looked after since the death of his sister Rosa in 1879. He completed many projects, although the majority of them were nothing to do with architecture but furniture and decorative arts. Both furniture and decorative arts was another passion Gaudi had, devoting his time to his interests.
In the early 1890’s Gaudi’s name became renown all over Spain, and as far as Leon, France. This allowed him to have projects on the Episcopal Palace, Astorga and the Casa Botines-all situated in Leon, France.
Before the Casa Calvet was built there was much controversy, the proposed height would have exceeded Barcelona’s regulations for that street. Gaudi was far from letting anyone knock his ideas; he threatened to abandon the top of the building, making it look unfinished, deliberately. This seemed to have worked because there was no comeback. Gaudi set to work. The interior is full of colour and very well detailed. Gaudi received his first award for Best Building of Barcelona.
Casa Vicens, Casa Calvet, Casa Battlo, Casa Mila, the Palace Guell, Colonia Guell Chapel, the Monastery school of the Theresian Order and the awe inspiring "unfinished" Cathedral Sagrada Familia were all styled in Art Nouveau. Gaudi, as well as implementing Art Nouveau both interior and external, took an interest in fantasy, symbolism and humour, making his creations unique, a signature of Barcelona.
The most prolific building in Barcelona is Basilica I Temple Expiatori d la Sagrada Familia; a Roman Catholic Church that was conceived and inspired by Josep Maria Bocabella (1815-1892); a Catalan Bookseller and Chairman of the Holy Brotherhood. Josep was determined to build a Cathedral having witnessed the one in Loreto. In 1881 the location was granted and Francesc de Paula I Villar (1828-1901) was commissioned to build Sagrada Familia. However, Frances resigned due to constant discrepancies with Joan Mortorell-an architect who worked well with Josep. Mortorell was then offered the job; he immediately turned it down, proposing architect Antoni Gaudi.
Gaudi changed the original concept, seizing the opportunity to express his devout feelings. Gaudi wanted the Cathedral to have 18 Towers: 12 for each of the Apostles, 4 for the Evangelists, and one for the Mary and the final one for Jesus.
After years of his Frugal diet -inspired by naturist Sebastian Kneipp, Gaudi started a strict fast diet during Lent. He lost a lot of weight and his health deteriorated, and at one point nearly lost his life. After concerns from a friend Gaudi began to eat again.
During his time working on Sagrada Familia Gaudi’s life turned for the worst. Family and friends began to die and his attitude began to change. These sad events affected him but did not limit his energy and passion towards building Sagrada Familia. He became so withdrawn he shied away from all kinds of publicity and only when evening arrived did he take a stroll to a local church. His appearance dropped from looking smart to not getting shaved or wearing clean clothing. There aren’t many photos of the late Gaudi, avoiding photographers and journalists he lived in the basement of the Sagrada Familia Cathedral for the last year of his life. On 7th June 1926 Gaudi was hit by a tram at the intersection of Carrer de Bailen and the Gran Via. People walked past him, Taxis avoided him. He simply weren’t recognised by his simple clothes and excessive facial hair. He was, eventually, taken to Hospital de la Santa Creu where he was later identified. He refused to be moved to a more "Richer" ward. He died surrounded by co-workers and friends, aged 74. The police fined Taxi drivers who were in the area for not assisting an injured man. The day of his funeral the streets gave final homage to the Catalan Architect, homage to the God-of Architecture, homage to Antoni Gaudi. He was buried in the Chapel of the Virgin del Carme in the Crypt of the Sagrada Familia where he had worked for the last forty three years of his life. Had he not being hit that day, he may have lived for many more years, and sculptured more unique designs. Gaudi is still, and will continue to be, the most infamous Catalan Architect of Barcelona.
After his death all that was done on the Cathedral was the Crypt, the Apse Walls, One Portal and One Tower. By 1930 three more Towers where added, completing the North-East Façade. However, in 1936 anarchists burned the interior, destroying Gaudi’s Workshop, Plans and Models. Gaudi relied on his vision and imagination more than Blueprints, therefore after the Spanish Civil War there was very little design left. In 1952 work began again, although this caused much controversy. Many people believed, and still believe; due to the loss of Gaudi’s models the completion will not therefore be Gaudi’s creation, believing architects will create a monster that will have little to do with Gaudi’s original plans and style. Donations are to pay for the continuous work. The deadline is 2026, to mark the 100th anniversary of Gaudi’s death.
  
 
 
So, who was Antoni Gaudi?
 There is substantial evidence that supports Gaudi’s passion for nature, as well as his independency, artistic capabilities, unique expression and his signature foundation(s). Spurred on by his Mediterranean blood and genetic skills, Gaudi, from a very young age, showed his great love for nature, plants and animals. Analysing daily, he had, what people refer to as photographic-memory. A lot of architects, engineers and so forth now commonly use blueprints, models and computer graphics, whereas Gaudi preferred to build from vision; claiming it to be too hard to put new ideas on paper.
Gaudi, as a young boy, found solace in religion. The more he aged, the more he committed himself to Catholicism. Although he denied himself to collaborate with Photographers and Journalists, he profoundly flaunted religion through his sculptures and buildings, particularly Sagrada Familia. He also refused to follow the City of Barcelona’s rules when it came to height restrictions, deliberately obeying (disobeying); his buildings were always above the set standard(s). Gaudi brought life into his buildings, with bright colours and a lot of curvaceous columns, placing his own signature all over.
Monster Architecture: Not many people are aware of this label, yet the majority of citizens all go through the same symptom. When architects are granted planning permission a feeling of dread, rather than exhilaration floods the mood. When we are greeted with a new building, many emotions feed on natural resistance to change, and the rapid realisation of how little control we have over new designs and constructions of the spaces in which we live, consequently leaving many of us anxious. Monster Architecture is the uncertainty and the entrapment it could/does represent to those who are unaware of the completed look and height. Same goes for a building that has being created, no matter the decorative look some people can feel fear, depression, closed in, sadness or the opposite; feelings of peace, happiness, inspiration, love and safety. Feng Shui can be a curse to some people and great for others, it all depends on the mind-set of the individual. In truth I am not a religious person, however, whenever I step into a church to admire the vivid structures this rain of peace cascades over me. I feel at ease with myself and the world, without any explanation. However, I do partially believe it is due to the work(s) of the architects that formulates stone, glass and bricks into monuments of symbolism that can be a cause of one’s solace.
La Sagrada Familia is classed as a Monster Architecture. "It does not look like a welcoming feel good place to find serenity and God..."
Gaudi’s Cathedral draws in attention of onlooker’s everyday and, with a dense assumption of the building’s exterior people cherish his evident fervour from every angle. The purpose was to replicate him into a building, aware he would not be alive to see the completion day. Gaudi compressed his passion and believes into stone panorama; biblical plays, symbols, inscriptions, reptiles, birds, flowers, and also fruit. Capturing time in his illustrations he had unique formative ideas constantly evolving inside his head. Forming its way around the structure is a Gothic theme. This is the talkative part of the Cathedral. Many believe the Gothic theme is distasteful, quote "Looks like something out of a horror film." This is where the opinions of many visitors divide. From a distance the front of La Sagrada could be compared to a haunted house from a horror film, due to its Gothic approach and the dark imprints people can so easily recognise.
From a distance the stone façade looks as though the building is slowly melting in the sun, or a child’s dripping castle placed together with sand and salted sea water. Plaster and coloured moulds look mismatched and can easily be disregarded. It is only on a closer inspection you can see figures abound and words etched on stone that you come to
realise the true potential of architects manual beauty and creative skills, their hands turning stone into figurines bonding together with the outer-layered columns. Gaudi loved vivid colours coinciding with sunlight; he envisaged three types of windows inside Sagrada, ranging from Gothic Revival to his own unique interpretations. Gaudi never got the chance to create the mosaic glass windows that are now fitted. However, in 1991 Stained Glass Artist, Joan Vila Grau, was commissioned to devise all the windows for the Cathedral.
Joan Vila Grau (1932-) is known to be one of the best Stained Glass Artists and in the past has restored a lot of Medieval Stained Glass windows in expensive Cathedrals and Churches; such as the Church of Santa Maria del Marin, Barcelona. He has also organised a book stating facts about Medieval Glass of Catalonia. From his strength in creativity he has recently being awarded the Cross of St George, one of the highest national honours in Catalonia.
Joan wanted the final mosaic windows to be of Gaudi’s design, but not to abuse the original ownership. He respected Gaudi, a lot. Analysing what tugged on Gaudi’s passionate strings he crafted a lot of rainbow colours into his work(s). Creating stained glass can be very tiring sometimes, just finding the right colours can be challenging with over 70 different shades of individual colours to choose from.
Once the mosaic glass was inserted it was an awe inspiring moment, with the Sun beams seeping through it looked magical and peaceful, and the exact atmosphere Gaudi wanted to design.
Bringing Art Nouveau, Gothic and Religion themes into the same Cathedral does come across as strange to a lot of people. Sternly believing a Cathedral/Church is supposed to bring the symbol of light and a strong sense of religious power. However, if you are new to the viewing of such a powerful building, you may just latch onto the exterior unaware of its history. Gaudi, through his handmade statues, depicted the crucifixion of Christ. He also imported many religious words in sections of the stone columns. It is not possible to see these, in less (unless) you are standing within the ground. Once inside, the Gothic sense disappears. Gaudi, wanting natural light to seep through the top, used hyperboloids on the ceiling. The light would come in and follow the straight lines in the curve of the hyperboloid. The purpose, giving it a larger diameter than a simple cut out hole. It was efficient, due to the lack of electricity back in the days. The silver looking columns are inclined at all angles, representing the way trees in a forest lean. Gaudi calculated the load, without the help of extra buttressing.
The total length of the temple, including the nave and the apse is 95 meters. The transept is formed by three naves with a calculated 30 meters and length of 60. The transept leads to two exits, one to the Nativity Façade and the other to the Passion Façade and, the main nave exists to the Glory Façade, although this is still not completed. The Glory Façade, when complete, will be the main gate of the Cathedral, situated on the Mallorca Street. The facades, due to the curved out stone statues, purposely holds the illustration of the birth, passion and resurrection-glory-of Jesus. 
Gaudi’s personal insight to the Cathedral allowed him to foresee the construction of twelve bell towers-one for each apostle, four more for the evangelists, another dedicated to the Virgin and the most important one of 170m of height-crowned with the typical cross of four arms of himself, symbol of Jesus. The only part built by Gaudi himself was the apse, a port of the cloister and the Nativity Façade with its four bell towers. Gaudi used a large amount of symbolic content in the Cathedral, in his architecture, sculptures and dedicating each part of the church to a religious theme.
La Sagrada Familia to this date (March 2014) is still being built by many architects. Josep Maria Subirachs; a famous Catalan sculpture and artist, has worked and sculptured stone onto the Sagrada. However, this has sparked many complaints not only from those who live in Barcelona but critics and tourists have also voiced their anger. Gaudi, as we know, avoided straight lines, loving his curved lines of nature instead. Josep introduced straight lines, angering those who believe in order for Sagrada to remain true, it has to stick to original blueprints.
 
Gaudi’s name has become a sentiment on the tongue of present architects around the world and of those who, like me, have a high regard for his completed structures. Apart from the continuation of La Sagrada Familia no-one has ever tried to replicate the signature of Gaudi’s designs. No current architecture has the same modifications that Gaudi imprinted on his. I am so thankful for this, not only would it end in controversial accusations, Gaudi fans would be left feeling cheated.
 
From studying Antoni Gaudi for the past few months I have learnt a lot, not only about him, but how people adapt and commit themselves to their passions. However, I cannot help but wonder, had Gaudi lived in the present day, and paid as much attention now as he did then, would he be classed as having OCD? I mean, yes he loved architecture, it was his life, but would people not question now if it was the passion that drove him or the OCD. Due to his temper when things he saw in his head was not able to be seen on paper, or created correctly by other members, it makes me question the possibilities. Obviously no-one has ever questioned this, well that I am aware of anyways. It was not a planned analysis; it just kind of came to me and the more I questioned myself the more it sounded plausible. This is just a theory, nothing concrete.
So….
In 2026 it will be a 100 year on from Gaudi’s death; it is also the deadline for La Sagrada Familia. Many question whether this can still be classed as Gaudi’s, given the amount he structured before he died.
My answer…?
Evidently Gaudi worked less on Sagrada Familia than those who have kept it going all this time, and many more years to come. Gaudi was the blueprint, allowing his mind to hold much data, calculations and the outlook of the complete Cathedral. He was not one for sharing his ideas, nor could he ever transfer his ideas onto paper. After the Spanish Civil War demolished large parts of the Sagrada and Gaudi’s living area. Much of his paperwork, models and photos were burnt, removing the majority of his final plan.
It is amazing to see to this day how far technology has brought so much more dimensional columns, vaults and colour. You can clearly see, just like Gaudi himself, the passion each architect has. The constant smile captures your heart, just like La Sagrada Familia.
If, however, time passes by and the percentage of people have acknowledged the current architects over Gaudi, we can never dismiss the genius of his mind and motivation and how much he felt privileged of his Mediterranean background and the devotion he put into making Barcelona its own city, with its own culture.  




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I hope my in-take on Antoni Gaudi has given you a clear idea of Antoni Gaudi and his passion for creativity that brought colour, co-ordination and given Barcelona its own cultural look.

please read, enjoy and appreciate.

Leah Lopez

30 December 2013

A Bohemian's Journey-Barcelona



 

So many nights I have rested beneath the unnerved sky,

plucking the strings of a lyre.

Sacrificed made decisions, to be free spirited.

A life of a Bohemian I am now at ease with life; smiling  

Concentrating on producing a picturesque painting.

 

Red wine spices my tongue

Before feeling the essence as I swallow,

wiping the discoloured effect off my lips.

Strewn grass caressing my feet

On this warm August evening.

 

My hands reach into my torn breeches.

Looking on I see pure beauty.

All around significant quality.

Antonio Gaudi  masterpieces grasps my attention

And I look on in awe, admiration...

 



Engaging, I breathe in, deep, inhaling inspiration

Absorbing my surroundings through my modern cameras eye.

Distant sound of euphonious Spanish Guitar

Flamenco dancers drawing crowds 

Active kids running around

All the while the tip of my brush

Begins a journey on what was, a empty canvas.